Resting Places

We hardly think of where we go when we die. And even if we build elaborate structures to allow our mortal remains to decay, we will never get to experience it. And yet, all around the world, humans have built grand mausoleums, cemeteries and burial grounds to allow the dead to pass on to afterlife. Whether it be the mighty Pyramids of Gizeh, elaborately decorated structures of Recoleta and Pere Lachaise, or the grand mausoleums like Taj Mahal, they all strive to glorify their silent inhabitants to an exalted status.

Dating back to the 12th century, the Shah-i-Zinda necropolis in Samarkand, Uzbekistan, belongs to this exclusive club of grand final resting places. Walking through metropolis replete with mausoleums and ritual buildings was a walk back in time. I made my way through sunlit passageways lined by pain-stakingly-restored blue shrines with exquisite architecture, admiring the intricate decorations and opulent tombstones.

I hope I get to see similar treasures around the world.

Shah-i-Zinda
Samarkand Uzbekistan

The Final Resting Place

It was late afternoon, and I found myself wandering through a leafy green park, with landscaped gardens intersected by wide avenues, and with refreshing fountains to cool down the summer air. In-between all this stood a dusty nondescript tomb with no adornments or colorless. And after having spent the entire day gazing at monumental mosques and madrasas that had been beautifully restored to their former glories, this tiny tomb felt bare. And only the intricate patterns on the walls belied what was inside.

For what I was staring at was the 9th century Samanid Mausoleum, one of the most highly esteemed work of Central Asian Islamic architecture, having constructed even before Genghis Khan had ravaged this place. Since Sunni Islam prohibited construction of mausoleums, the fact that this one was constructed stresses the prominence of Ismail Samani, the ruler of the Samanid dynasty in that era.

As I entered inside, the warm afternoon sunlight streaming through the brickwork window formed a beautiful checkered pattern on the floor, and that lent a yellow ambience that highlighted the intricate geometric patterns that festooned the walls, archways, and the domed ceiling. In one corner stood the rather unremarkable tomb dedicated to the great ruler Ismail Samani.

I tried to capture the aura of magnificence, but the camera can only go so far. This was shot at F11 at ISO-800 at 1/8s

Bukhara
Uzbekistan